---
created_at: '2014-12-24T10:09:35.000Z'
title: Sweden's tradition of watching Donald Duck cartoons on Christmas Eve (2009)
url: http://www.slate.com/articles/arts/culturebox/2009/12/nordic_quack.html
author: georgehdd
points: 59
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created_at_i: 1419415775
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- story_8792328
objectID: '8792328'

---
[Source](http://www.slate.com/articles/arts/culturebox/2009/12/nordic_quack.html "Permalink to Sweden's bizarre tradition of watching Donald Duck (Kalle Anka) cartoons on Christmas Eve.")

# Sweden's bizarre tradition of watching Donald Duck (Kalle Anka) cartoons on Christmas Eve.

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# Sweden's Bizarre Tradition of Watching Donald Duck Cartoons on Christmas Eve

# Sweden's Bizarre Tradition of Watching Donald Duck Cartoons on Christmas Eve

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Dec. 22 2009 7:01 AM

# Nordic Quack

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## Sweden's bizarre tradition of watching Donald Duck cartoons on Christmas Eve.

By [Jeremy Stahl][10]

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![52748601FH053_Disneyland_50][13] The Donald.

Photo by Frazer Harrison/Getty Images

Three years ago, I went to Sweden with my then-girlfriend (now-wife), to meet her family and celebrate my first Christmas. As an only partially lapsed Jew, I was not well-versed in Christmas traditions, and I was completely ignorant of Swedish customs and culture. So I was prepared for surprises. I was not prepared for this: Every year on Dec. 24 at 3 p.m., half of Sweden sits down in front of the television for a family viewing of the 1958 _Walt Disney Presents_ Christmas special, "[From All of Us to All of You][14]." Or as it is known in [Sverige][15], _Kalle Anka och hans vänner önskar God Jul_: "Donald Duck and his friends wish you a Merry Christmas."

_ Kalle Anka_, for short, has been airing without commercial interruption at the same time on Sweden's main public-television channel, TV1, on Christmas Eve (when Swedes traditionally celebrate the holiday) since 1959. The show consists of Jiminy Cricket presenting about a dozen Disney cartoons from the '30s, '40s, '50s, and '60s, only a couple of which have anything to do with Christmas. There are "Silly Symphonies" shorts and clips from films like [_Cinderella_][16]_,_ [_Snow White and the Seven Dwarfs_][17], and [_The Jungle Book_][18]_._ The special is pretty much the same every year, except for the live introduction by a host (who plays the role of Walt Disney from the original _Walt Disney Presents_ series) and the annual addition of one new snippet from the latest Disney-produced movie, which TV1's parent network, SVT, is contractually obligated by Disney to air.

![Kalle Anka and the Aracuan Bird][19] Kalle Anka and the Aracuan Bird.

_Kalle Anka_ is typically one of the three most popular television events of the year, with between 40 and 50 percent of the country tuning in to watch. In 2008, the show had its lowest ratings in more than 15 years but was still taken in by 36 percent of the viewing public, some 3,213,000 people. Lines of dialogue from the cartoons have entered common Swedish parlance. Stockholm's [Nordic Museum][20] has a display in honor of the show in an exhibit titled "[Traditions][21]."Each time the network has attempted to cancel or alter the show, public backlash has been swift and fierce.

_Kalle Anka_ (pronounced _kah-lay ahn-kah_) gets its name from the star of the show's second animated short, a 1944 cartoon called "Clown of the Jungle," in which Donald Duck is tormented by a demented [Aracuan Bird][22] during a luckless ornithological expedition. The short is typical of the [random violence][23] of many [early Disney cartoons][24]. The sadistic Aracuan (regularly mistaken in Sweden for [Hacke Hackspett, or Woody Woodpecker][25]) sprays Kalle with seltzer, bashes his head in with a mallet, blows him up with an exploding cigar, threatens to kill himself simultaneously by hanging and gunshot, and ultimately drives the infuriated Kalle insane.

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Watching _Kalle Anka_ for the first time, I was taken aback not only by the datedness of the clips (and the somewhat random [dubbing][26]) but also by how seriously my adoptive Swedish family took the show. Nobody talked, except to recite favorite lines along with the characters. My soon-to-be father-in-law, a burly man built like a [Scandinavian spruce][27], laughed at jokes he had obviously heard scores of times before. Nobody blinked at the antiquated animation, the cheesiness of the stories, or even the good-old-fashioned ['30s-era Disney-style racism][28]. (In the 1932 "Silly Symphonies" short "[Santa's Workshop][29]," there is a scene involving a black doll who yells "Mammy" at the sight of Santa Claus then moons the screen. It was eventually censored from the American version of the cartoon but remains in _Kalle Anka_.)

The show's cultural significance cannot be understated. You do not tape or DVR _Kalle Anka_ for later viewing. You do not eat or prepare dinner while watching _Kalle Anka_. Age does not matter—every member of the family is expected to sit quietly together and watch a program that generations of Swedes have been watching for 50 years. Most families plan their entire Christmas around _Kalle Anka_, from the [Smörgåsbord][30] at lunch to the post-_Kalle_ visit from [Jultomten][31]. "At 3 o'clock in the afternoon, you can't to do anything else, because Sweden is closed," Lena Kättström Höök, a curator at the Nordic Museum who manages the "Traditions" exhibit, told me. "So even if you don't want to watch it yourself, you can't call anyone else or do anything else, because no one will do it with you."

To Kättström Höök, Sweden's affection for _Kalle Anka_ is tied up with older holiday traditions. "It's the dream of the old peasant village before people moved to towns," she said. "_Kalle Anka_ is almost like gathering around the fire in old times and listening to fairy tales."

But how did _these _tales become part of Sweden's folklore? It was largely an accident of history, specifically the history of television in Sweden. The show first aired in 1959, when Swedes were just starting to own televisions. "You couldn't have done this in 1970," said Charlotte Hagström, an ethnology professor at Lund University and archivist of the university's Folk Life Archives. "It had to be 1960 when television was new." The fact that there was only one channel in Sweden until 1969 and only two—both public-service stations run by Sweden's equivalent of the BBC—until 1987 helped, too. As did the fact that, for years, Christmas was the only time when Swedes could see Disney animation—or any American cartoons—on television.

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Over the last half-century, the characters and sketches have become as much a part of the holiday as the Christmas tree, so much so that each time TV1 has suggested modifying the schedule, public outcry has forced the network to back down. In the 1970s, Helena Sandblad, then head of children's programming, attempted to pull the show off of the air because broadcasting a Disney program didn't jibe with the prevailing political ethos. "Everything was pretty serious in the '70s and anything that was commercial, or considered commercial, was not good, was considered an ugly word," said SVT publicity officer Ursula Haegerström. After newspapers got wind of the plans to cancel the show, the station was bombarded with letters, phone calls, and negative press. Sandblad received personal threats. "That was one of the worst audience storms in our history," Haegerström told me.

SVT ultimately gave in, and Kalle was saved. In 1982, the network made the seemingly innocuous decision to replace one of the special's most beloved cartoons, the 1938 Oscar-winning short "Ferdinand the Bull_,_" with "[The Ugly Duckling][32]." Again newspapers picked up the story and public outcry ensued. [Munro Leaf's famous tale][33] of a bull who would rather smell flowers than fight in a Spanish coliseum was [touted by leftists][34] during the Spanish Civil War and World War II as a parable of pacifism. That the message resonates with a nation defined by a centuries-long policy of [neutrality][35] shouldn't come as a big surprise. Since 1983, when _Ferdinand_ was returned to its rightful place in the lineup, the program has remained largely unaltered.

_Kalle Anke and Friends_ has made national icons out of its cartoon characters—Kalle, Ferdinand, Piff och Puff (Chip and Dale), Musse Pigg (Mickey Mouse), Långben (Goofy), Pluto—but also its Swedish stars. Arne Weise, who hosted the show live from 1972 to 2002, personified Christmas to two generations of Swedes. In 1992, when he attempted to get the network to record his portion of the program in advance so that he could spend Christmas with his family, newspapers got a hold of the story and helped scuttle the change. "We had recorded everything, but no way," SVT's Haegerström said. "[The] host was supposed to sit there in some sort of vigil over Christmas."

Weise claims that Sweden's stubborn insistence that he record live every year destroyed his personal life, blaming the show for his three divorces. "I wasn't easy to live with—I was in a bad mood out of nervousness before going on air, and tired afterwards. That doesn't help to make you a good father or lover," he told the newspaper [Aftonbladet][36] in 2007. During his final taping of the show, in 2002, Weise—whose history of alcohol problems is well-known to Swedes—claimed to have been "high as a kite" on the morphine pills he was taking at the time for psoriasis. The other popular national figure to emerge from the program is Bengt Feldreich, the Swedish voice of Jiminy Cricket and narrator of much of the program. Feldreich, a Swedish television reporter who built his name interviewing Nobel Laureates for SVT's news division, is now most famous for his impromptu rendition of "When You Wish Upon a Star" during the original taping of the show.

Top Comment

Here's an article I'd like to see... SLATE'S BIZARRE TRADITION OF RUNNING THE SAME ARTICLE ABOUT SWEDISH TV SCHEDULES EVERY CHRISTMAS  More...

-HJB

[Join In][5]

Lund University's Hagström faced her own _Kalle Anka_ backlash in 2004 when she gave an interview to the Swedish news agency TT, suggesting that the widespread popularity of DVDs and cable television had changed the meaning of _Kalle Anka_ for younger Swedes. The Swedish media sensationalized the story. The headline in the popular tabloid _Expressen_ read "Is Kalle Anka on His Way out of Christmas?" Critical comments soon flooded online messageboards. But the next generation of Swedes may not quite have the same dedication to the special. Despite the consistently strong ratings, SVT's Haegerström could not predict how much longer _Kalle Anka_ will last as a national institution. "I think that we will probably hang in there for a few more years at least. I see my grandchildren, you know, they're not as attached to it as their parents," she told me.

For the time being, though, _Kalle Anka_ is safe. Sweden's staunch defense of Kalle against all attackers, perceived and real, suggests an affection that has long since transcended the circumstances that first made it popular. For many Swedes, there is something comforting about knowing that every year there is one hour, on one day, when you sit down with everyone in your family and just be together. "People always want to change everything, and make everything new," Feldreich, Sweden's Jiminy Cricket, told the Swedish newspaper _Länstidningen _in 2008. "And then, like in a fairy tale from when we were kids, there's something familiar." _Kalle Anka_, he said, "offers security in a confusing world."

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